Wednesday, November 9, 2011

iPod Evolution

So Here's how I did this:

I shined Profoto 4 heads on a white wall to blow out the background, and then flagged off everything with the black dividers except for the area that I needed open to prevent lens flare.

Here's how I got the white reflective surface: Table, white butcher paper placed on top, then place a big piece of plexi glass on top of that. So that way I was able to get the plexi to pick up the white, instead of the brown table top.

This is a pretty good way to get a white blown out background when shooting in still life in the studio. It's pretty simple, but effective.

1 comment:

Ipodtest said...

Awesome stuff
You actually placed right stuff on the table.I hope more users will get the information that i receive from you.Thank you for share very nice knowledges.I am impressed by the information that you have on this blog.